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Hurricanrana Apr 13, At least I don't hit on 13 year olds like you do. This move was also popularized by Trish Stratus , who used it as a signature move, called the Stratusphere.
This move is actually a counter. Usually, the opponent grabs the attacking wrestler as if he were performing a sidewalk slam , the attacking counters and swings their body upwards, then scissors their legs around the opponent's head, spins around the opponent's body, and swings their legs downwards, resulting in the headscissors takedown.
Sometimes referred to as a reverse victory roll, it is a headscissors takedown that ends in a double leg cradle pinning hold.
A somersault version also exists, called the Dragonrana. This move is derived from the original hurricanrana. It is described as a head scissors take down that is performed against a running opponent.
The wrestler jumps on the shoulders of the charging opponent and performs a back flip. It was named the "Frankensteiner" by Scott Steiner , who used it as a finishing move.
Another variation of the Frankensteiner sees a grounded wrestler first " kip-up " on to a standing opponent's shoulders, this is where a wrestler rolls on to the back of their shoulders bringing their legs up and kicking forward to build momentum to lift themselves off the floor and on to the standing opponent.
Also known as an inverted frankensteiner or a poison rana, this move uses a standard Frankensteiner, but instead of performing the move facing the opponent's face, it is done facing the back of the opponent.
The wrestler performs a headscissors takedown to a seated or kneeling opponent, driving them head first into the mat.
Ruby Riott and Kalisto use this move in some of their matches. This maneuver is also known as swinging hurricanrana. The attacking wrestler, beginning on the corner, uses the top ropes for leverage to scissor their legs around the opponent usually an oncoming opponent and swings to perform the hurricanrana.
This hurricanrana variation was popularized by Mickie James , as she named the move herself Mick-a-rana.
The wrestler stands next to the opponent with both facing the same direction, and the wrestler hooks their closest arm underneath and behind the opponent's closest armpit.
The wrestler then quickly lifts the opponent up with that arm and throws them forward, which would lead the wrestler to flip the opponent on to their back to end the move.
There is also a sitout variation, in which the wrestler performs a normal hip toss and then lands in a seated position. This top rope flipping slam sees a wrestler stand under an opponent, who is situated on the top turnbuckle, turn their back to this opponent while taking hold of the opponent's arms from below, often holding underneath the opponent's arm pits.
The wrestler would then throw the opponent forward while falling to a seated position, flipping the opponent over in midair, and slamming them down to the mat back first.
Also called a hammer throw. A move in which the wrestler grabs one of their opponent's arms and spins, swinging the opponent into an obstacle such as the ring ropes, a turnbuckle, or the stairs leading into the ring.
An Irish whip into the turnbuckles usually sees the opponent remain in the corner, allowing a follow-up attack from the wrestler; the opponent may remain standing or slump to the ground, usually in a seated position, which will vary the attack.
One occasional use of the Irish whip is to try to "hit for the cycle" by whipping one's opponent into each corner in turn. Some professional wrestlers can use this move as an advantage by running up the turnbuckle and using a high flying move.
The move acquired its name due to its association with Irish wrestler, Danno O'Mahony. A jawbreaker is any move in which the wrestler slams their opponent's jaw against a part of the wrestler's body, usually their knee, head or shoulder.
Also known as an inverted stunner , the wrestler stands facing the opponent, places their shoulder under the jaw of the opponent and holds the opponent in place before falling into a sitting or kneeling position, driving the jaw of the opponent into their shoulder.
A standard jawbreaker is seen when a wrestler either stands facing or not facing opponent places their head under the jaw of the opponent and holds the opponent in place before falling into a sitting or kneeling position, driving the jaw of the opponent into the top of their head.
Sometimes it is also used to counter a headlock by the opponent. A stunner is a three-quarter facelock jawbreaker. It involves an attacking wrestler applying a three-quarter facelock reaching behind the head of an opponent, thus pulling the opponent's jaw above the wrestler's shoulder before falling to a seated position and forcing the defender's jaw to drop down on the shoulder of the attacking wrestler.
A mat slam is any move in which the wrestler forces the back of the opponent's head into the mat which does not involve a headlock or facelock. If these are used then the move is considered a type of DDT if the wrestler falls backwards or bulldog.
Some neckbreakers also slam the back of the opponent's head into the mat, but the attacker is back-to-back with the attack's receiver.
A standard mat slam involves the wrestler grabbing hold of the opponent by their head or hair and pulling back, forcing the back of the opponent's head into the mat.
From a position in which the opponent is bent forward against the wrestler's midsection, the wrestler grabs around his or her opponent's midsection and lifts so that the opponent is held upside down, facing in the same direction as the wrestler.
The wrestler then hooks both arms of the opponent using his or her legs, and then falls forward planting the opponent's body into the mat face-first.
The move often sees the wrestler keep their legs hooked under the arms of the opponent after hitting the move, using the underhooking technique to turn the opponent on to their back into a Rana style pinning position.
This move was innovated by Col. DeBeers and was made famous by A. Styles , who refers to the move as the Styles Clash.
Styles performs the maneuver with a variation, as seen in the photos to the right: he does not hook the opponent's arms before performing the slam, but takes two steps and moves his legs in front of the opponent's arms enabling him to use his legs to cover the shoulders for a pin.
Cesaro uses a variation called the Neutralizer where he grapevines the opponents leg with his arm similar to a cradle piledriver. El Phantasmo uses a cross-arm Variation called CRII,where he lifts his opponent up and he lets him fall face first into the mat.
The wrestler then drops down to their back, driving the back of the opponent's head and neck into the mat. As well known as a falling rear mat slam.
This move starts with the wrestler standing behind the opponent, and then takes hold of the front of the neck or head, and then falls onto his stomach, driving the opponent's back of the head into the mat first.
Another variation of this move sees the wrestler performing a backflip from the top turnbuckle, and as he floats over the opponent, he quickly grabs the opponent's head or neck with both hands and falls on his stomach to complete the rear mat slam.
The wrestler takes hold of their opponent from behind, holding them by either their hair or head. The wrestler then jumps backwards and falls to a sitting position, driving the back of the opponent's head into the ground between their legs.
This was a signature move for Edge , which he called Edge-O-Matic. A variation sees the wrestler run up the corner turnbuckles, perform a backflip over a chasing opponent, and at the same time grab hold of the opponents head and perform the slam.
This slamming version of a headlock takedown sees a wrestler apply a sleeper hold to the opponent, then falls face first to the ground, pulling the opponent down with them and driving the back and head of the opponent into the ground.
Heath uses a jumping variation of the move. A lifting version also exists, where a wrestler applies a sleeper hold to the opponent, lifts the opponent up and slams the opponent into the ground.
A spinning sit-out variation of a sleeper slam that makes use of the wrestler's own momentum. The attacking wrestler starts by running and extending his arm like a lariat takedown but instead performs a revolution around the opponent's shoulders.
This causes the wrestler to switch to his opposite arm before taking his opponent down to the mat while simultaneously landing in a seated position.
Another variation involves the wrestler leaping off the ropes before performing the movement. The move is used by Hiroshi Tanahashi , with some commentators even calling the move a 'Tanahashi' when anybody performs it due to how associated it is with him.
Other users include Pentagon Jr. As the name suggests the wrestler would first use a tilt-a-whirl to raise the opponent into a belly-to-belly piledriver position, from here the wrestler would fall forward planting the opponent into the mat back-first.
At this point, the attacking wrestler shifts their weight so that they fall backwards to the mat while forcing the opponent to fall forwards with them, only to have the attacking wrestler push up with their legs, forcing the opponent to flip forward, over the wrestler's head and onto their back.
This move is most commonly performed out of a ring corner. This is due to it being easier to climb on an opponent while in the corner as balance is easily retained, and it allows the maximum length of ring to propel the opponent across.
This move is performed when an attacking wrestler hooks both an opponent's legs with their arms and tucks their head in next to the opponent's before standing and lifting the opponent up, so that they are upside down with their head resting on the attacking wrestler's shoulder.
From this position, the attacking wrestler jumps up and drops down to the mat, driving the opponent shoulder first down to the mat with the opponent's neck impacting both the wrestler's shoulder and the mat.
This can see the wrestler pick up an opponent who is standing but bent forward, but it often begins with an opponent who is sitting on an elevated position, usually on a top turnbuckle, because it is easier to hook and lift an opponent when they are positioned higher than the wrestler.
The move also has a neckbreaker variation , which focuses more of the attack on the opponent's neck. This move originated from the Kinnikuman manga , originally known as the Kinniku Buster kinniku being Japanese for "muscle" , with the move ending with the opponent crashing down on their neck against the attacking wrestler's shoulder.
Samoa Joe used this as one of his finishers he uses an electric chair version falling backwards, sparing the opponent's neck until when he accidentally injured Tyson Kidd , which ended his wrestling career and almost paralyzed him, while Ryback uses a different variation as his finisher, called Shell Shocked , where he lifts the opponent into position with a fisherman's suplex and only hooks one of the opponent's legs before running forward and dropping them off his shoulders, in a Samoan drop -esque motion.
There are two general categories of neckbreaker, which are related only in that they attack the opponent's neck.
One category of neckbreaker is the type of move in which the wrestler slams their opponent's neck against a part of the wrestler's body, usually their knee, head or shoulder.
A neckbreaker slam is another technique in which the wrestler throws their opponent to the ground by twisting the opponent's neck. Whilst giving the illusions of slamming the opponent's head into the ground, a properly executed standard piledriver has the opponent's head barely touching the ground, if at all.
The technique is said to have been innovated by Wild Bill Longson. A powerbomb is a move in which an opponent is lifted into the air and then slammed down back-first to the mat.
The move was innovated by Lou Thesz. A powerslam is any slam in which the wrestler performing the technique falls face-down on top of their opponent.
The use of the term "powerslam" usually refers to the front powerslam and the scoop powerslam. Also known as a tilt slam or a pumphandle falling powerslam , the wrestler stands behind their opponent and bends them forward.
One of the opponent's arms is pulled back between their legs and held, while the other arm is hooked. The wrestler then lifts their opponent up until they are parallel with the wrestler's chest, then throws themselves forward, driving the back of the opponent into the ground with the weight of the wrestler atop them.
The wrestler hooks up the opponent as a pumphandle slam, then the wrestler goes through the body movements for the fallaway slam, executing the release of the opponent as they enter the apex of the throw, instead of at or just past the apex of the throw like when one executes the fallaway slam.
Usually the opponent then adds effort to gain extra rotations in the air for effect or to ensure that they do not take the bump on their side.
The wrestler stands behind their opponent and bends them forward. One of the opponent's arms is pulled back between their legs and held, while the other arm is hooked pumphandle.
The attacking wrestler uses the hold to lift the opponent up over their shoulder, while over the shoulder the attacking wrestler would fall forward to slam the opponent against the mat back-first, normally the type of powerslam delivered is a front powerslam.
The move can also see other variations of a powerslam used, particularly into a sidewalk slam position.
The wrestler lifts the opponent as with a pumphandle slam, but falls to a sitting position and drops the opponent between their legs as with a michinoku driver II.
A body slam is any move in which a wrestler picks up and throws an opponent down to the ground limp back-first.
When used by itself, this term generally refers to a very basic variant for a scoop slam. Facing their opponent, the wrestler reaches between their opponent's legs with their stronger arm and reaches around their back from the same side with their weaker arm.
The wrestler lifts their opponent up and turns them upside down so that they are held up by the wrestler's arm cradling their back.
The wrestler then throws the opponent to the ground so that they land on their back. The opponent will often assist the slammer by placing their arm on the slammer's thigh.
The wrestler faces the opponent from the side, slightly behind, then tucks their head under the opponent's near armpit and grabs hold of the opponent's near leg, bending it fully.
The wrestler then lifts the opponent up and slams them downwards, driving one of the wrestler's knees into the opponent's bent leg.
This move is used to weaken the leg for a submission manoeuvre. A shoulderbreaker is any move in which the wrestler slams their opponent's shoulder against any part of the wrestler's body, usually the shin or knee.
This move is normally used to weaken the arm for a submission maneuver or to make it more difficult for the opponent to kick out of a possible pinfall attempt.
The most common version sees the wrestler turn the opponent upside-down and drop the opponent shoulder-first on the wrestler's knee.
Usually the opponent is held over the wrestler's shoulder in either a powerslam position, or less commonly an inverted powerslam position for what is sometimes called the inverted shoulderbreaker.
This move sees the standing wrestler place the opponent stomach down on their shoulder so that they both are facing the same direction. The attacking wrestler then drops the opponent face-first into the turnbuckle or ropes.
This move is most commonly used by The Undertaker. Johnny Gargano uses a variation called Lawn Dart , where he throws the opponent face first onto the second turnbuckle.
Another variation, sometimes called a "flying mare", sees the wrestler pull the opponent by the hair over their shoulder before slamming them to the mat.
This variation of the snapmare sees the application of the facelock with the takeover to the opponent, but rather than the wrestler remaining stationary, he rolls with the opponent's momentum.
A high impact variation of the snapmare where instead of flipping the opponent over, the wrestler drops down either on their chest or down on their knees and drives the opponent's head down to the mat forehead first, with the three-quarter facelock much like a cutter.
An inverted variation of this move also exists. However, the wrestler holds their opponent's head in a back to back position, before performing the move.
Adam Rose used this as the Party Foul. Melina used this move after her return in , most notably to win her second Diva's championship at SummerSlam A high impact combination of the snapmare and the falling neckbreaker.
Was briefly used as a signature by Tyson Kidd. The wrestler starts by facing their opponent and then grabs them around their waist, lifts them up, and then either slams the opponent down while landing on top of them, or tosses them forward on to their back.
Although it can be used on a stationary opponent, it is usually performed against a charging opponent, using the opponent's own momentum to make the throw more powerful.
Also called the Alabama Slam. This variation of the spinebuster starts with the wrestler facing his opponent.
The wrestler catches and grabs the opponent from either his waist or both legs, and lifts the opponent so he would either face the mat while being vertically elevated off the mat with both his legs grabbed over the wrestler's shoulders or literally facing the wrestler's back while being lifted upside down with the wrestler still taking hold of both the opponent's legs back-to-belly position.
In this article, we'll look at some of the most devastating moves in professional wrestling. Do not try any of these moves unless you have been trained to do so by a professional.
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